Which is Better Codec: H. As a Filmmaker, I have been asked a hundred times which is a better codec, H. I just like to get everything straight to the point. Now, H. ProRes has gained in popularity as an intermediate codec Paul, To compare both, H.
Choose the Version of ProRes Best Suited to Your Project
ProRes is better for editing because you can color correct and add effects without losing quality. Do we really need to know about all the technical details? So presumably, you used ProRes Once you are done editing with it, then you should now export your video as H. The last feature documentary I Produced, Directed, and Edited used this procedure. My video is a documentary about Lyme Disease.
Not all people were introduced to this devastating disease. Have a heart to help everybody be aware of this outrageous disease. A portion of proceeds will go to Lyme Disease victims, one way of helping these victims. Quick and Easy. Watch and Share.
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John Cassavetes a great Filmmaker. Leave a Reply Cancel reply.David Kong. This table can help you choose the right codec for each project. Make good use of the filtering and sorting functions! The rest of these codecs can be created on a Mac or a PC with any standard video software. For a much deeper discussion of this topic, please see this article. This blog relies on people like you to step in and add your voice.
Send us an email: blog at frame. Terms Privacy. Explore Frame. Type your search and press enter February 13, I also threw in one flavor of h. For Variable Bitrate codecs, the numbers listed are averages, though the actual number may be slightly higher or lower, depending on the complexity of the project. Filmmaker, teacher, coder. Head of Product Intelligence. You can learn more about my various adventures at www. Cineform bit HD Film Scan. Cineform bit HD Film Scan 2.
Cineform bit HD High. Cineform bit HD Low. Cineform bit HD Medium. DNxHD ProRes HD. ProRes Proxy HD. Cineform bit UHD High. Cineform bit UHD Low.
Cineform bit UHD Medium. ProRes UHD. DNxHD a. DPX HD uncompresssed. ProRes HD no alpha. Uncompressed HD bit Uncompressed HD 8-bit DNxHR Uncompressed UHD bit Uncompressed UHD 8-bit Credit Rules Jump to the last page.
Login Register. Uploading and Loding Picture Flightgeist Offline. Trying to decide if it is worth it to pay for the extra media and licenses -- any opinions appreciated! Twitter Facebook Favorite 1 Like. Use props. Cobra44Magnum Offline. First Officer. I cannot speak to the quality differences yet since I have not shot in ProRes but I can say that shooting in ProRes will eliminate a pre-edit transcode step. On a new Mac Pro, trying to edit H. I didn't expect it to be that bad.
Even before any transitions or text it was not realistic to edit the H. After converting to ProRes H. I look forward to shooting directly in ProRes and eliminating the transcode step.
I 2 Fly Offline. Second Officer. I mainly shoot in 4K H. I pull the footage directly into Premiere Pro Buying the SSD is one too expensive thing but those license fees are If you are going for very good quality video in H. Only my opinion JerryLaurence Offline. Especially if it was for HD output Cobra44Magnum Posted at I cannot speak to the quality differences yet since I have not shot in ProRes but I can say that shooting in ProRes will eliminate a pre-edit transcode step.
Flightgeist Posted at Thanks for the reply. Do you notice a quality difference between h and h? Also, just to confirm -- is the CineSSD necessary for prores and cinemadng but not necessary for h? Confused why they wouldn't include this if it is necessary to use the pro formats they are selling in this combo. Barry Goyette Offline. Here are the highlights. Even under extreme stress testing heavy grading we see no difference between the two. Haven't tested H since the firmware upgrade, so there may be some differences.
The take grading very well, and many people will find them to be all that they need. The one drawback to these codecs is that they undergo quite a bit of noise reduction smearing and output sharpening, aliasing even when set at the lowest levels available in Go4 app.When editing a video, you may hesitate over choosing the suitable video compression codec from ProRes and H.
Now you can get rid of these troubles. Keep reading to know more about ProRes vs H. Besides, if you need to convert ProRes videos to H. What is ProRes? In other words, Apple ProRes is a video editing codec and welcomed in professional post-production with large file size.
Or you can use ProRes for editing with better video quality. Besides, it also enables you to convert any other common or rare video formats to H.
If you are using Windows computer, you will find that only a few programs can support ProRes video playback since there is no apple ProRes codec for windows.
Prores vs H264 Full Review in 2020
Here are two useful media players for playing ProRes video directly. After you install the media player, you can open ProRes files with it. But if you want to reduce the large file size to HDD space and play the videos on various devices, In H. A good ProRes H. Its interface is user-friendly with every feature self-explanatory. The following part shows you how to convert ProRes files.
Before start, please free download free download the software and install it on PC. Alternatively, you can drag and drop ProRes files into the video converter. Batch conversion mode is also supported, which enables you to convert multiple files in the same time. As you can see from the picture right, the software also supports many other formats and codecs. Choose an output folder for saving the converted H. With the support for Hardware Acceleration, it can convert videos to H.
You can preview the output size.
Moreover, this smart software offers the advanced Compression Setting to compress videos in one click. Install it to enjoy all the features! Free Download. Recommended by the author. ProRes H. Convert ProRes to H. Step 1.I did a quick comparison between ProRes and H. I grabbed some of Blackmagic's 4. This is my reference video.
From this reference file, I encoded two clips. One clip is H. One of these files was created from the reference file using "ffmpeg -i Reference. The file size is 7. The other file was created using "ffmpeg -i Reference.
The file size was 44 MB 7. In order to keep the comparison blind, I then converted both the ProRes and H. So you shouldn't be able to tell which is which from the metadata, file size, playback speed, etc. You can download these files MB each and do extreme color grades or whatever stress tests you wish, and compare the quality difference yourself.
I'd love to hear thoughts or if anyone would be interested in further tests. Keep in mind that there are different settings for H. However, it could have implications for intermediate files or deliverables, especially to sites with file size limits.
This is 3 steps of conversions. Also, in terms of size, a 3 sec clip is too little to really asses the h size. The sample should be longer with a variety of motion. But thanks for the sample, it's interesting. There are differences, but neither seems more accurate.
I haven't tried green screening, and that would be an interesting test, but I don't have a RAW camera so I'm limited in the scenarios I can test.
And naturally it defeats the purpose of the test if I start with anything less than a RAW file. Interestingly, despite having a hard time making any substantive distinction between the two, when comparing the PSNR peak signal to noise ratioProRes is higher than H.
That's to be expected. I could also push the preset to be even slower, or use two pass encoding for better results on H. I did it this way so that I would not be limited by Resolve's H. I did a short clip to keep the file size manageable at only MB each. I originally did 4k, but I figured no one wanted to download that! If there is interest I am happy to do more extensive examples.
Whenever prores is not available, DNxHD is quite good also. As Deadcode points out, B H. However, the ProRes file retains a tiny bit more of the chroma noise from extreme shadows the original video. With extreme grades the other direction, the ProRes looks better up until the VERY extreme, when its blockiness shows. As I said before, encoders have many options so this doesn't mean much for cameras.
However, if you are uploading to a site with file size limits, H. This shot is quite stable, so the interframe flavor of H. Shakycam will reduce the quality of H.To start the conversation again, simply ask a new question. Posted on Aug 3, AM. Aug 3, AM in response to stephendublin In response to stephendublin. Well, BluRay is a variant of H. But this all depends on your workflow for making the BluRay. Using FCP? Using some third party option?
Then export a self contained QT file and take it into that. Aug 3, AM. Page content loaded. Oh, that doesn't do BluRay at all. You will need to export a QT movie, self contained, and use third party software like Toast Adobe recommends these settings in their online tutorials for their video suite. You'll find both choices in Toast 9 under Encoding when you choose the Custom button.
Bit rate also affects image quality a lot. Blu-ray can handle in theory up to 40 Mbps, so move the maximum bit rate slider to 26, which is as high as Toast allows. Set the average also knows as target bit rate no higher than 20 for Blu-ray.
I'm looking at Toast 11, and there is no control for VBR. Can't remember if Toast 9 has that. I am attaching two screen shots of Toast Titanium regarding the Bit rates and also the Reencoding.Oct Final Cut Pro. Question 1: H. I sent a cut clip from the timeline to a SFX person via dropbox. He sent the polished clip with the new SFX back in H.
How to Convert H.264 Footages to Apple ProRes 422 for FCP
I imported the new H. Question: Does this matter? Does it matter that a clip in the timeline is H. Thank you in advance for helping out.
Much appreciated. Then i red the post and i wanted to test it out so i converted a few clips with compressor too see the difference while editing or rendering and i couldnt find much.
I know the filesize of the ProRess is much more then the H. Question 4: Apple ProRes vs. I am editing a project on Final Cut Pro X and was curious what format my video files should be for editing. Can someone please explain to me which format I should be editing on for my project! What these cameras have in common is that they can record p H. Apple ProRes is an editing codec. It uses much less compression, which means that the files are big, but Final Cut can play it more easily. Best practice is to edit in ProResespecially if you have lots of layers and effects.
That means you spend a little extra time optimizing your files to ProRes before you start, but you save time in the long run. As you got into more complicated editing such as adding multiple clips and transitions and effects you would start to see a more pronounced difference, i. That said, if you just need to do a simple edit and your Mac has the power to edit H.
Just an alternative solution: Pavtube H. ProRes HQ : offers the utmost possible quality for or sources and provides target data rate of approximately Mbps and higher quality than Apple ProRes. ProRes Proxy : provides roughly 30 percent of the data rate of Apple ProRes and high-quality offline editing at the original frame size, frame rate, and aspect ratio.
ProRes : offers the utmost possible quality for sources and roughly 50 percent higher than the data rate of Apple ProRes HQ. Step 1. Free download the trial version of Pavtube Mac H. Tip: If you have multiple recorded H.
Step 2. Due to the difference in the compresstion standard of AVCHD and ProResthe converted files are significantly larger than the original ones. Step 3.